Description
The individual works move consciously at the border of the photographic image. They are lab experiments, developed from moments where the light, the chemical process of development, dominated the depicted. Photography is always an entanglement of visibility and invisibility, visualizationand withdrawal, knowledge and imagination: as often as photographs are seen, they are also testimonies of a past that remains unobservable. Concentrating on the visibility of the image often leaves the process of visualization too short, ignoring the production process in favor of what you see in a photo. The work places these questions at the limits of visibility, at the borders between the intentional and the unintentional. It switches perspectives, manipulate pieces to let the material compete against the sign: the view as a gateway for inevitabilities of all kinds.
