8mm Archive | malenki.net https://malenki.net/product-tag/8mm/ Mon, 13 Jan 2025 20:40:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://malenki.net/wp-content/uploads/2020/08/cropped-malenki-icon-32x32.png 8mm Archive | malenki.net https://malenki.net/product-tag/8mm/ 32 32 SOMEHOW, NOTHING APPEARS TO BE HAPPENING, OVDJE OR RATHER, WENT A HOLE, CRNA RUPA https://malenki.net/product/somehow-nothing-appears-sergej-vutuc/ Thu, 03 Aug 2023 18:29:37 +0000 https://malenki.net/?post_type=product&p=9913 One reoccurring theme in Vutuc’s work is the transmission of information, complete with its natural selection, alteration and deformation throughout time. Here, captured images – fragmented, curated cuts of reality – are presented to be not just explored, but challenged in their fidelity as the question of their physical density gets rivaled by the comparable… Continue reading SOMEHOW, NOTHING APPEARS TO BE HAPPENING, OVDJE OR RATHER, WENT A HOLE, CRNA RUPA

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]]> One reoccurring theme in Vutuc’s work is the transmission of information, complete with its natural selection, alteration and deformation throughout time. Here, captured images – fragmented, curated cuts of reality – are presented to be not just explored, but challenged in their fidelity as the question of their physical density gets rivaled by the comparable weight of copies; Vutuc pairs up the seemingly static format of photocopiers, celluloid and Super 8 film and, then, projection techniques – playing with layers of surfaces and transparencies as varying vibrations also audibly resonate, life fuses with machinery through celluloid and confusion, then doubt are introduced by a duality of projectors competing for validity in their respective outputs. — Aymeric Nocus

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]]> Memories And How To Get Them https://malenki.net/product/memories-and-how-to-get-them-robert-schlotter/ Sun, 24 Jul 2011 09:08:25 +0000 http://malenki.net/wordpress/?post_type=product&p=2632 With Memories And How To Get Them Robert Schlotter follows a view on memories and autobiographical memory, as a construct of latently fragmentary pictures. This work by Robert Schlotter is based on Super8 and 8mm amateur moviefilms, which he reproduces from the running projection.   “Memories and how to get them raises the question about… Continue reading Memories And How To Get Them

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]]> With Memories And How To Get Them Robert Schlotter follows a view on memories and autobiographical memory, as a construct of latently fragmentary pictures. This work by Robert Schlotter is based on Super8 and 8mm amateur moviefilms, which he reproduces from the running projection.

 

“Memories and how to get them raises the question about the latent, fragmentary nature of photography. On the one hand, its shifting between reality and fiction and vice versa gives rise to a quasi-infinite participative narrative. On the other hand, the awareness of the diversity of potential openings to representation stresses the impossibility of one absolute literal image and sharpens our critical reception and the way in which we deal with images. This topic is even more relevant when photography is used as a means to reflect upon the past and on collective remembrance. Contrary to popular opinion, memory is not a stable reservoir, but is shaped by the very act of recollection. Each alteration in world view involves new means of constructing it.”

 

From ‘I was here’ by Michèle Walerich, published in: Tourists & Nomads Marburg 2012, ISBN 978-3-89445-464-7

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