zine Archive | malenki.net

Böhm #57 – Unreal Estates

Robert Schlotter — Mon, 03 Nov 2025 21:04:05 +0000

Die Böhm is a fanzine published by Katja Stuke & Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title.

Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture, in particular youth sub-cultures — Darius Himes, Photobookreview 2012

Die Böhm is published once or twice a year.

Böhm #55, Böhm #56 and Böhm #57 are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.

Der Beitrag Böhm #57 – Unreal Estates erschien zuerst auf malenki.net.

Böhm #56 – New Landscapes

Robert Schlotter — Mon, 03 Nov 2025 20:26:45 +0000

Die Böhm is published once or twice a year.

Böhm #55, Böhm #56 and Böhm #57 are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.

Der Beitrag Böhm #56 – New Landscapes erschien zuerst auf malenki.net.

Böhm #55 – Grand Tourismo

Robert Schlotter — Mon, 03 Nov 2025 20:02:31 +0000

Die Böhm is published once or twice a year.

Böhm #55, Böhm #56 and Böhm #57 are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.

Der Beitrag Böhm #55 – Grand Tourismo erschien zuerst auf malenki.net.

Apocalypse zine #3

Robert Schlotter — Wed, 16 Apr 2025 12:50:53 +0000

Apocalypse brings together subjective and poetic stances from various fields of art and thought that touch upon contemporary issues as well as artistic, personal, philosophical, and political themes. out of a conviction that it is crucial to reinforce intellectual discourse beyond presenting easy answers or leveling accusations. As an artist, I am interested in a distanced view of our world that enables new perspectives on our shared reality of everyday life – an approach to thinking that acknowledges the possibility of different realities. — Sarah Sharif, Vienna 2023.

Der Beitrag Apocalypse zine #3 erschien zuerst auf malenki.net.

OCEAN VIEW 2: Verschiebung des Blickfeldes, 2015 – 2024

Robert Schlotter — Wed, 16 Apr 2025 12:32:26 +0000

“Great Albatross, I found you dead by the sea among the rocks. The image of your miserable demise has haunted me.” (2024)
How has our perception, our view of the sea, changed due to our awareness of its endangerment and exploitation? Does the memory of the magic of cosmic energies and forces remain? The starting point for this work are analog photographs of a sea surface, taken in 2015; preserved as small prints on paper in the archive. Retrieved again in 2024 and photographed. Overlays have emerged, both temporally and visually. No further documentation of plastic and garbage, not a dead bird. No boats can be seen, no longlines, no oil slick…

*) The Snowy albatross is one of the largest birds in the world, with a wingspan of up to 3.50 meters. Some species are threatened or critically endangered. According to bird conservationist Barry Weeber, several hundred thousand albatrosses die every year worldwide as victims of longline fishing and plastic debris in the sea.

OCEAN VIEW 2 consists of several parts: a folded inkjet print (cover), a bound booklet (picture section), a set of A5 cards (illustrations and text) and a 20×30 cm pigment print (2015/2024).

Der Beitrag OCEAN VIEW 2: Verschiebung des Blickfeldes, 2015 – 2024 erschien zuerst auf malenki.net.

Variations

Robert Schlotter — Sun, 12 Jan 2025 11:12:26 +0000

Variations is a sequel of Sandrine Marc’s work “Fireworks studies” from 2018 as a zine.

Der Beitrag Variations erschien zuerst auf malenki.net.

Tout va bien maman

Robert Schlotter — Sun, 12 Jan 2025 10:57:19 +0000

Tout va bien maman brings together 60 photographs taken by Sandrine Marc in her neighborhood in Paris during the covid related lockdown in spring 2020. This photographs depict urban landscape in transformation in Ivry-sur-Seine and Nanterre. The zine, Tout va bien maman, published in 100 copies, is handmade. The pages, bound with gray thread, were printed on a Xerox copier. The zine was published by Sandrine Marc on the occasion of her solo exhibition at the Galerie du Crous (Nov 2022, PhotoSaintGermain Festival). It is a sequel to the work entitled “Change plus vite que le cœur”, which was self-published in 2018.

Der Beitrag Tout va bien maman erschien zuerst auf malenki.net.

De construction

Robert Schlotter — Tue, 07 Jan 2025 22:03:01 +0000

In De construction Kathi Seemann deals with the construction and deconstruction of architecture and living space, the cycle of restoration, demolition, new construction and the memories that remain. The publication is a collection of documentary photographs in digital and risographic printing. Nine loose interleaved sheets can be disassembled, rearranged and expanded.

Der Beitrag De construction erschien zuerst auf malenki.net.

DSTR#5

Robert Schlotter — Sat, 03 Aug 2024 11:12:55 +0000

DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by Franziska Klose.

DSTR #5 (Trees and Mushrooms) depicts historic illustrations of trees, woods, forestry and mushrooms combined to unique artist booklets. A zine with alternating page sequence.

Der Beitrag DSTR#5 erschien zuerst auf malenki.net.

SOMEHOW, NOTHING APPEARS TO BE HAPPENING, OVDJE OR RATHER, WENT A HOLE, CRNA RUPA

Robert Schlotter — Thu, 03 Aug 2023 18:29:37 +0000

One reoccurring theme in Vutuc’s work is the transmission of information, complete with its natural selection, alteration and deformation throughout time. Here, captured images – fragmented, curated cuts of reality – are presented to be not just explored, but challenged in their fidelity as the question of their physical density gets rivaled by the comparable weight of copies; Vutuc pairs up the seemingly static format of photocopiers, celluloid and Super 8 film and, then, projection techniques – playing with layers of surfaces and transparencies as varying vibrations also audibly resonate, life fuses with machinery through celluloid and confusion, then doubt are introduced by a duality of projectors competing for validity in their respective outputs. — Aymeric Nocus

Der Beitrag SOMEHOW, NOTHING APPEARS TO BE HAPPENING, OVDJE OR RATHER, WENT A HOLE, CRNA RUPA erschien zuerst auf malenki.net.