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Japan in der DDR – Meine Begegnung mit drei japanischen Häusern in Ostdeutschland

Robert Schlotter — Mon, 30 Jun 2025 13:08:42 +0000

From the authors foreword: “Japan in the GDR – My Encounter with Three Japanese Hotels in East Germany” is a project that began with my encounter with the still-existing “Interhotel Merkur (now the Westin)” building in Leipzig (…). Soon after this encounter (…) I learned that this was the first project of the Japanese company Kajima Corporation in Europe, a building that was one of four major turnkey projects. The other three are the “International Trade Center Berlin”, the “Interhotel Bellevue Dresden”, and the “Grandhotel Berlin”. (…) Of these four, I decided to focus my attention on hotels. The reason for this was my interest in hotels as theatrical spaces, often used as settings for films or novels. I also felt a strong attraction to the fact that in various sources on the Merkur, the word “hotel” was often replaced with “house”, as I had been interested in the poetics of the “house” for some time.

Der Beitrag Japan in der DDR – Meine Begegnung mit drei japanischen Häusern in Ostdeutschland erschien zuerst auf malenki.net.

Halle-Silberhöhe

Robert Schlotter — Thu, 17 Nov 2022 18:08:22 +0000

Between 1979 and 1989, the new Halle-Silberhöhe district was built in prefabricated construction in the south of the city of Halle (Saale). Around 15,000 apartments for around 39,000 people were built on an area of around 200 hectares.
This urban development measure became necessary, among other things, due to the additional need for workers in the nearby Leuna works and the Buna chemical works. Halle-Silberhöhe was not built in the spirit of a socialist ideal city, but rather pursued the sole aim of creating living space.

Until 1989 there was a high degree of social mixing in Halle-Silberhöhe. After 1989 there were major changes in the labor and housing markets. Unemployment, social separation and vacancies were observed and young people in particular were leaving the Silberhöhe. Since the mid-1990s, Halle-Silberhöhe has lost more than half of its residents, and by 2004 the average age had risen by ten years.
Due to the drastic vacancy rates, Halle-Silberhöhe was partly demolished in certain areas and partly in large areas. The resulting fallow areas should be largely reforested.

Between 2005 and 2007, Robert Schlotter documented the architecture, streets and processes of change in the Silberhöhe and portrayed residents and passers-by.

“In the GDR, new housing estates were built as planned, which, in addition to creating living space, were also intended to offer a socialist alternative to the “bourgeois” old towns. What was sought after back then – also because of the clean district heating and hot running water – has now often degenerated into a problematic peripheral zone. One of these is the Silberhöhe in Halle (Saale). Robert Schlotter visited the Silberhöhe between 2005 and 2007, photographed streets and made portraits of their residents. The black and white of his photos reinforces the structural desolation of the prefabricated buildings, in contrast to the people who live here. In their looks – here Schlotter approaches Helga Paris’s Halle series – the will to persevere is palpable. Silberhöhe has become home to many.” — MDV, Halle (Saale)

Der Beitrag Halle-Silberhöhe erschien zuerst auf malenki.net.

The forgotten mobilization

Robert Schlotter — Fri, 27 Mar 2020 13:20:08 +0000

The forgotten mobilization is dealing with the relationship between historiography, gender and urban space using the example of Lutherstadt Wittenberg using different media. The artist deals with alternative narratives within the existing historiography and the utopian potential which can be applied to them. On the basis of a fictitious historical scenario The general strike of women of Wittenberg on 4 May 1987 Luise Schröder asks “what could have happened”. On one hand, the memorial plaque designed for public space recalls this fictitious historical event, while simultaneously discussing the conditions of historiography and historical narratives. The typeface design Friedlaender especially designed for the plaque by Reymund Schröder, is a homage to the Jewish font designer Elisabeth Friedländer, who worked in Germany in the 1930s. The double-sided poster provides information on the reasons and the course of the strike. As installation The forgotten mobilization is supplemented by a video that presents suggestions by citizens of Wittenberg to the question which women of Wittenberg should be mentioned on possible memorial plaques in the city. This public survey was carried out by the artist in the run-up to this work.

Der Beitrag The forgotten mobilization erschien zuerst auf malenki.net.

Japan in der DDR

Robert Schlotter — Wed, 20 Jul 2016 17:02:06 +0000

Der Beitrag Japan in der DDR erschien zuerst auf malenki.net.

Die Historische Front

Robert Schlotter — Mon, 18 Nov 2013 11:44:24 +0000

The installation The Historical Front examines the monument by Vincenc Makovsky, Victory of the Red Army over Fascism, that was unveiled on April 26, 1955 in Moravian Square at the center of Brno. The theme of the work is the sculpture’s temporary absence for restoration purposes, the resulting change in its location and the contemporary revamping of its original site. The work The Historical Front attempts to treat Makovsky’s statue and its site separately at each stage of its transformation; this creates possibilities for formulating basic questions on how to currently handle socialist memorials and monuments while at the same time keeping an eye on which construction of history is thus called up. — www.luiseschroeder.org

Der Beitrag Die Historische Front erschien zuerst auf malenki.net.