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	<title>Russia Archive | malenki.net</title>
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		<title>Beyond Cold War &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 07 Jun 2015 17:03:43 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2650</guid>

					<description><![CDATA[<p>The collectors edition of <em>Beyond Cold War</em> by Robert Schlotter features his regular softcover book in a silkscreen printed and handmade slipcase. Each slipcase is numbered &#38; signed and includes one of 59 varying signed inkjet prints (240 x 200 mm).</p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>Jürgen Kühner on <em>Beyond Cold War</em></p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.”</p>
<p><a href="https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Beyond Cold War</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 06 Jun 2015 10:16:31 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/product/beyond-cold-war-robert-schlotter/</guid>

					<description><![CDATA[<p>Beyond Cold War is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other. During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed,&#8230; <a class="more-link" href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Continue reading <span class="screen-reader-text">Beyond Cold War</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>&nbsp;</p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.” &#8211; Jürgen Kühner</p>
<p><a href="https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></content:encoded>
					
		
		
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		<title>Sibir</title>
		<link>https://malenki.net/product/debby-huysmans-sibir/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 12 Aug 2010 10:30:14 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=5718/</guid>

					<description><![CDATA[<p>&#8220;The collapse of the Soviet empire has resulted in a fascinating political and social situation. The projects Elementarz (2003), Last Stop before Europa (2005) and In a Valley (2007) are a research on the periphery of the Western European capitalist culture. With the recent work Sibir Debby Huysmans continues this photographic research. The two longest&#8230; <a class="more-link" href="https://malenki.net/product/debby-huysmans-sibir/">Continue reading <span class="screen-reader-text">Sibir</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/debby-huysmans-sibir/">Sibir</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&#8220;The collapse of the Soviet empire has resulted in a fascinating political and social situation. The projects Elementarz (2003), Last Stop before Europa (2005) and In a Valley (2007) are a research on the periphery of the Western European capitalist culture.<br />
With the recent work Sibir Debby Huysmans continues this photographic research.<br />
The two longest rivers of Russia, the Yenissey and the Lena, guide the photographer through the contemporary Siberian landscape. Huysmans concentrates on the individuals, living in these forgotten areas and the signs of human presence in relation to the landscape.</p>
<p>Remainders of dreams of the past and signs of hope for tomorrow appear through the daily environment.<br />
The characters seem to experience an \&#8217;old\&#8217; world under the impoverished conditions of a pre-capitalist reality. Nothing much seems to happen, the pace of life is slow and the images are fully quiet. They often expose undefined, lost spaces nobody seems to notice anymore.&#8221; — Debby Huysmans</p>
<p>Der Beitrag <a href="https://malenki.net/product/debby-huysmans-sibir/">Sibir</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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