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	<title>Robert Schlotter Archive | malenki.net</title>
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	<title>Robert Schlotter Archive | malenki.net</title>
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		<title>Halle-Silberhöhe</title>
		<link>https://malenki.net/product/halle-silberhoehe-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 17 Nov 2022 18:08:22 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=9916</guid>

					<description><![CDATA[<p>Between 1979 and 1989, the new Halle-Silberhöhe district was built in prefabricated construction in the south of the city of Halle (Saale). Around 15,000 apartments for around 39,000 people were built on an area of around 200 hectares. This urban development measure became necessary, among other things, due to the additional need for workers in&#8230; <a class="more-link" href="https://malenki.net/product/halle-silberhoehe-robert-schlotter/">Continue reading <span class="screen-reader-text">Halle-Silberhöhe</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/halle-silberhoehe-robert-schlotter/">Halle-Silberhöhe</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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										<content:encoded><![CDATA[<p>Between 1979 and 1989, the new Halle-Silberhöhe district was built in prefabricated construction in the south of the city of Halle (Saale). Around 15,000 apartments for around 39,000 people were built on an area of around 200 hectares.<br />
This urban development measure became necessary, among other things, due to the additional need for workers in the nearby Leuna works and the Buna chemical works. Halle-Silberhöhe was not built in the spirit of a socialist ideal city, but rather pursued the sole aim of creating living space.</p>
<p>Until 1989 there was a high degree of social mixing in Halle-Silberhöhe. After 1989 there were major changes in the labor and housing markets. Unemployment, social separation and vacancies were observed and young people in particular were leaving the Silberhöhe. Since the mid-1990s, Halle-Silberhöhe has lost more than half of its residents, and by 2004 the average age had risen by ten years.<br />
Due to the drastic vacancy rates, Halle-Silberhöhe was partly demolished in certain areas and partly in large areas. The resulting fallow areas should be largely reforested.</p>
<p>Between 2005 and 2007, <a href="https://malenki.net/product-category/artists/robert-schlotter/">Robert Schlotter</a> documented the architecture, streets and processes of change in the Silberhöhe and portrayed residents and passers-by.</p>
<p>&nbsp;</p>
<p>“In the GDR, new housing estates were built as planned, which, in addition to creating living space, were also intended to offer a socialist alternative to the “bourgeois” old towns. What was sought after back then – also because of the clean district heating and hot running water – has now often degenerated into a problematic peripheral zone. One of these is the Silberhöhe in Halle (Saale). Robert Schlotter visited the Silberhöhe between 2005 and 2007, photographed streets and made portraits of their residents. The black and white of his photos reinforces the structural desolation of the prefabricated buildings, in contrast to the people who live here. In their looks &#8211; here Schlotter approaches Helga Paris&#8217;s Halle series &#8211; the will to persevere is palpable. Silberhöhe has become home to many.” — MDV, Halle (Saale)</p>
<p>Der Beitrag <a href="https://malenki.net/product/halle-silberhoehe-robert-schlotter/">Halle-Silberhöhe</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Beyond Cold War &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 07 Jun 2015 17:03:43 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2650</guid>

					<description><![CDATA[<p>The collectors edition of <em>Beyond Cold War</em> by Robert Schlotter features his regular softcover book in a silkscreen printed and handmade slipcase. Each slipcase is numbered &#38; signed and includes one of 59 varying signed inkjet prints (240 x 200 mm).</p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>Jürgen Kühner on <em>Beyond Cold War</em></p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.”</p>
<p><a href="https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<item>
		<title>Beyond Cold War</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 06 Jun 2015 10:16:31 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/product/beyond-cold-war-robert-schlotter/</guid>

					<description><![CDATA[<p>Beyond Cold War is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other. During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed,&#8230; <a class="more-link" href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Continue reading <span class="screen-reader-text">Beyond Cold War</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>&nbsp;</p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.” &#8211; Jürgen Kühner</p>
<p><a href="https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Memories And How To Get Them</title>
		<link>https://malenki.net/product/memories-and-how-to-get-them-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 24 Jul 2011 09:08:25 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2632</guid>

					<description><![CDATA[<p>With Memories And How To Get Them Robert Schlotter follows a view on memories and autobiographical memory, as a construct of latently fragmentary pictures. This work by Robert Schlotter is based on Super8 and 8mm amateur moviefilms, which he reproduces from the running projection. &#160; &#8220;Memories and how to get them raises the question about&#8230; <a class="more-link" href="https://malenki.net/product/memories-and-how-to-get-them-robert-schlotter/">Continue reading <span class="screen-reader-text">Memories And How To Get Them</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/memories-and-how-to-get-them-robert-schlotter/">Memories And How To Get Them</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>With <em>Memories And How To Get Them</em> Robert Schlotter follows a view on memories and autobiographical memory, as a construct of latently fragmentary pictures. This work by Robert Schlotter is based on Super8 and 8mm amateur moviefilms, which he reproduces from the running projection.</p>
<p>&nbsp;</p>
<p>&#8220;<em>Memories and how to get them</em> raises the question about the latent, fragmentary nature of photography. On the one hand, its shifting between reality and fiction and vice versa gives rise to a quasi-infinite participative narrative. On the other hand, the awareness of the diversity of potential openings to representation stresses the impossibility of one absolute literal image and sharpens our critical reception and the way in which we deal with images. This topic is even more relevant when photography is used as a means to reflect upon the past and on collective remembrance. Contrary to popular opinion, memory is not a stable reservoir, but is shaped by the very act of recollection. Each alteration in world view involves new means of constructing it.&#8221;</p>
<p>&nbsp;</p>
<p>From &#8216;I was here&#8217; by Michèle Walerich, published in: Tourists &amp; Nomads Marburg 2012, ISBN 978-3-89445-464-7</p>
<p>Der Beitrag <a href="https://malenki.net/product/memories-and-how-to-get-them-robert-schlotter/">Memories And How To Get Them</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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