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		<title>Different basic shapes of puddles &#8211; Poster</title>
		<link>https://malenki.net/product/different-basic-shapes-of-puddles-poster-mirja-busch/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Mon, 30 Jun 2025 15:27:33 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=11307</guid>

					<description><![CDATA[<p>A poster as display panel based on 18th century classificatory representations in natural science. 1.Shield puddle (clipeus planus) 2. Cloudlet puddle (nimbus) 3.Round puddle (rotundus) 4. Groove puddle (striatus) 5. Angled puddle (angulus)6.Chain puddle (series continuus) 7. Tatter or splinter puddle (multi diffidi) 8.Oval puddle (ovatus longus) 9. Gestalt puddle (forma figura) 10. Flagella puddle&#8230; <a class="more-link" href="https://malenki.net/product/different-basic-shapes-of-puddles-poster-mirja-busch/">Continue reading <span class="screen-reader-text">Different basic shapes of puddles &#8211; Poster</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/different-basic-shapes-of-puddles-poster-mirja-busch/">Different basic shapes of puddles &#8211; Poster</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>A poster as display panel based on 18th century classificatory representations in natural science.<br />
1.Shield puddle (clipeus planus) 2. Cloudlet puddle (nimbus) 3.Round puddle (rotundus) 4. Groove puddle (striatus) 5. Angled puddle (angulus)6.Chain puddle (series continuus) 7. Tatter or splinter puddle (multi diffidi) 8.Oval puddle (ovatus longus) 9. Gestalt puddle (forma figura) 10. Flagella puddle (flagella)</p>
<p>Der Beitrag <a href="https://malenki.net/product/different-basic-shapes-of-puddles-poster-mirja-busch/">Different basic shapes of puddles &#8211; Poster</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>DSTR #2 (Good Friday Earthquake)</title>
		<link>https://malenki.net/product/dstr2-franziska-klose/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 03 Aug 2024 09:50:55 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=10663</guid>

					<description><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by Franziska Klose. DSTR #2 (Good Friday Earthquake): 7 black &#38; white images in poster size depicting Turnagain Heights in Anchorage/Alaska after the Good Friday Earthquake in 1964.</p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr2-franziska-klose/">DSTR #2 (Good Friday Earthquake)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by <a href="https://malenki.net/product-category/artists/franziska-klose/">Franziska Klose</a>.<br />
DSTR #2 (Good Friday Earthquake): 7 black &amp; white images in poster size depicting Turnagain Heights in Anchorage/Alaska after the Good Friday Earthquake in 1964.</p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr2-franziska-klose/">DSTR #2 (Good Friday Earthquake)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>LA BARRICADE &#8211; Poster</title>
		<link>https://malenki.net/product/barricade-luise-schroeder/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Wed, 16 Nov 2022 17:59:39 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=9906</guid>

					<description><![CDATA[<p>Signed edition (no.5 untill no.15) available via info@luiseschroeder.org</p>
<p>Der Beitrag <a href="https://malenki.net/product/barricade-luise-schroeder/">LA BARRICADE &#8211; Poster</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The poster edition LA BARRICADE &#8211; Poster by <a href="https://malenki.net/product-category/artists/luise-schroeder/" target="_blank" rel="noopener">Luise Schröder</a> relates to her latest work <em>La Barricade – Existing as a Promise</em> — a documentary and conceptual artistic project that explores the pictorial and photographic myth of barricades in Paris and France over the centuries.</p>
<p>Der Beitrag <a href="https://malenki.net/product/barricade-luise-schroeder/">LA BARRICADE &#8211; Poster</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>The forgotten mobilization</title>
		<link>https://malenki.net/product/luise-schroeder-the-forgotten-mobilization/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Fri, 27 Mar 2020 13:20:08 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6020/</guid>

					<description><![CDATA[<p>This work is a collaboration between Luise Schröder, the political scientist Sabine Merkel, the graphic designer Anika Rosen and the font designer Reymund Schröder.</p>
<p>Der Beitrag <a href="https://malenki.net/product/luise-schroeder-the-forgotten-mobilization/">The forgotten mobilization</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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										<content:encoded><![CDATA[<p><em>The forgotten mobilization</em> is dealing with the relationship between historiography, gender and urban space using the example of Lutherstadt Wittenberg using different media. The artist deals with alternative narratives within the existing historiography and the utopian potential which can be applied to them. On the basis of a fictitious historical scenario <em>The general strike of women of Wittenberg on 4 May 1987</em> Luise Schröder asks “what could have happened”. On  one hand, the memorial plaque designed for public space recalls this fictitious historical event, while simultaneously discussing the conditions of historiography and historical narratives. The typeface design <em>Friedlaender</em> especially designed for the plaque by Reymund Schröder, is a homage to the Jewish font designer Elisabeth Friedländer, who worked in Germany in the 1930s. The double-sided poster provides information on the reasons and the course of the strike. As installation <em>The forgotten mobilization</em> is supplemented by a video that presents suggestions by citizens of Wittenberg to the question which women of Wittenberg should be mentioned on possible memorial plaques in the city. This public survey was carried out by the artist in the run-up to this work.</p>
<p>Der Beitrag <a href="https://malenki.net/product/luise-schroeder-the-forgotten-mobilization/">The forgotten mobilization</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Errors And Residuals &#8211; a plot</title>
		<link>https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-plot/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Fri, 28 Jun 2019 07:43:40 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6389/</guid>

					<description><![CDATA[<p>With the support of Research-unit Intermedia Luca school of Arts Brussels and CCHA Hasselt.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-plot/">Errors And Residuals &#8211; a plot</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Errors and residuals</em> is an ongoing series of small artist publications by Sarah Van Marcke in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organized, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence.</p>
<p>The part titled <em>a plot</em> deals with the phenomenon of superstition, the instinctive tendency to find patterns in both meaningful and meaningless noise. An impulse deemed erroneous by the rational, empirical mind, which prefers scientific rationalization over the anecdotal.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-plot/">Errors And Residuals &#8211; a plot</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Editie</title>
		<link>https://malenki.net/product/editie-marco-jacobs/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Mon, 17 Aug 2015 08:53:58 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=4856/</guid>

					<description><![CDATA[<p>The signed carton cover includes one of 4 varying risographic prints.  (Delivered product may differ from product image.)</p>
<p>Der Beitrag <a href="https://malenki.net/product/editie-marco-jacobs/">Editie</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Der Beitrag <a href="https://malenki.net/product/editie-marco-jacobs/">Editie</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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