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	<title>Norway Archive | malenki.net</title>
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		<title>Tøyen sentrum</title>
		<link>https://malenki.net/product/line-bohmer-lokken-toyen-sentrum/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Wed, 14 Oct 2020 10:16:35 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=7225</guid>

					<description><![CDATA[<p>Line Bøhmer Løkken on Tøyen sentrum: „On a regular basis, I have sought out this fortress of red brick, with its tall towers that hover over and protect the partially concealed square. And despite its architectonic openness, it feels confined. I would not claim that we have become friends, this place and I, but one&#8230; <a class="more-link" href="https://malenki.net/product/line-bohmer-lokken-toyen-sentrum/">Continue reading <span class="screen-reader-text">Tøyen sentrum</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/line-bohmer-lokken-toyen-sentrum/">Tøyen sentrum</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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										<content:encoded><![CDATA[<p>Line Bøhmer Løkken on <em>Tøyen sentrum</em>:<br />
„On a regular basis, I have sought out this fortress of red brick, with its tall towers that hover over and protect the partially concealed square. And despite its architectonic openness, it feels confined. I would not claim that we have become friends, this place and I, but one might say that we have become acquaintances of sorts. Familiar and unfamiliar faces appear, and like other outdoor spaces, it fills up and is emptied in accordance with the temperature.</p>
<p>I know each angle, each nook and cranny. I have fine-combed the area with my one-sided gaze. Not so much with the desire to disclose, as with the desire to comprehend and understand, so that I can finally feel some sense of belonging. Despite this, we cannot quite manage to gain one another’s confidence. It is as though the place wants to retain its secrets, as though I cannot come close enough.</p>
<p>Der Beitrag <a href="https://malenki.net/product/line-bohmer-lokken-toyen-sentrum/">Tøyen sentrum</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Beyond Cold War &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 07 Jun 2015 17:03:43 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2650</guid>

					<description><![CDATA[<p>The collectors edition of <em>Beyond Cold War</em> by Robert Schlotter features his regular softcover book in a silkscreen printed and handmade slipcase. Each slipcase is numbered &#38; signed and includes one of 59 varying signed inkjet prints (240 x 200 mm).</p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>Jürgen Kühner on <em>Beyond Cold War</em></p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.”</p>
<p><a href="https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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			</item>
		<item>
		<title>Beyond Cold War</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 06 Jun 2015 10:16:31 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/product/beyond-cold-war-robert-schlotter/</guid>

					<description><![CDATA[<p>Beyond Cold War is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other. During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed,&#8230; <a class="more-link" href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Continue reading <span class="screen-reader-text">Beyond Cold War</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>&nbsp;</p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.” &#8211; Jürgen Kühner</p>
<p><a href="https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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