loose-leaf Archive | malenki.net

En Route

Robert Schlotter — Wed, 14 Jul 2021 13:37:20 +0000

This artist publication consists of tiny pinhole images made by Babs Cruyenaere during several walks through the port of Antwerp, Belgium.

Der Beitrag En Route erschien zuerst auf malenki.net.

SPEKTRUM*

Katrin Kamrau — Wed, 07 Dec 2016 10:52:34 +0000

SPEKTRUM * is both, an artist publication and a catalog. SPEKTRUM * uses an open, participatory structure to embrace a triangle relationship between the publication itself, the reader, and the producer. Through reproductions of artworks, interviews, (exhibition-)texts, and exhibition views, the reader can delve into SPEKTRUM* — the artist’s field of interest — to collectively… Continue reading SPEKTRUM*

Der Beitrag SPEKTRUM* erschien zuerst auf malenki.net.

The Breaking of the Vessels

Robert Schlotter — Tue, 08 Oct 2013 17:27:25 +0000

“The edition contains all the 10 photographs of The Breaking of the Vessels as plates printed on 300g Lesebo Design Natural paper with information stating size and weight of each stone and an outline in actual size on the back. The diagram depicting the constellation of rocks as Sephirot of the Tree of Life is printed on a more delicate card and has its own explanatory text with a brief introduction to the mystic concept of The Breaking of the Vessels. It also comes with a four-page leaflet containing general information, a descriptive text on the project and two installation views.”

Each copy is signed and numbered, and comes in a glassine envelope and a cardboard protective bag.

Der Beitrag The Breaking of the Vessels erschien zuerst auf malenki.net.

Memories And How To Get Them

Robert Schlotter — Sun, 24 Jul 2011 09:08:25 +0000

With Memories And How To Get Them Robert Schlotter follows a view on memories and autobiographical memory, as a construct of latently fragmentary pictures. This work by Robert Schlotter is based on Super8 and 8mm amateur moviefilms, which he reproduces from the running projection.

“Memories and how to get them raises the question about the latent, fragmentary nature of photography. On the one hand, its shifting between reality and fiction and vice versa gives rise to a quasi-infinite participative narrative. On the other hand, the awareness of the diversity of potential openings to representation stresses the impossibility of one absolute literal image and sharpens our critical reception and the way in which we deal with images. This topic is even more relevant when photography is used as a means to reflect upon the past and on collective remembrance. Contrary to popular opinion, memory is not a stable reservoir, but is shaped by the very act of recollection. Each alteration in world view involves new means of constructing it.”

From ‘I was here’ by Michèle Walerich, published in: Tourists & Nomads Marburg 2012, ISBN 978-3-89445-464-7

Der Beitrag Memories And How To Get Them erschien zuerst auf malenki.net.