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	<title>Litt Archive | malenki.net</title>
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		<title>Tidal Horizon</title>
		<link>https://malenki.net/product/tidal-horizon-matthieu-litt/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Fri, 21 Dec 2018 21:08:12 +0000</pubDate>
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					<description><![CDATA[<p>(&#8230;) Our awareness of patterns in nature, like those of the seasons and the tides, is ancient, but the way that we have negatively affected those cycles, though disputed in some quarters, is a more recent development, and one that appears increasingly hard to ignore. Matthieu Litt’s Tidal Horizon is, in the first instance, a consideration of one particular cyclical process, made obvious by the title of the work, and, in the larger sense, it addresses the human relationship with nature. However, Litt’s approach eschews the documentary in favor of a refined visual and metaphorical vocabulary, giving us new ways to see these cycles, along with newways to think about what our place in the natural order might ultimately be.He suggests the circularity of these patterns both in the structure of the book overall, and also in terms of what he has photographed, motifs that evoke reoccurrence and closure. However, they also indicate a kind of disturbance, perhaps calling the stability of these natural patterns into question.  — Darren Campion</p>
<p>Der Beitrag <a href="https://malenki.net/product/tidal-horizon-matthieu-litt/">Tidal Horizon</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>(&#8230;) Our awareness of patterns in nature, like those of the seasons and the tides, is ancient, but the way that we have negatively affected those cycles, though disputed in some quarters, is a more recent development, and one that appears increasingly hard to ignore. Matthieu Litt’s Tidal Horizon is, in the first instance, a consideration of one particular cyclical process, made obvious by the title of the work, and, in the larger sense, it addresses the human relationship with nature. However, Litt’s approach eschews the documentary in favor of a refined visual and metaphorical vocabulary, giving us new ways to see these cycles, along with newways to think about what our place in the natural order might ultimately be.He suggests the circularity of these patterns both in the structure of the book overall, and also in terms of what he has photographed, motifs that evoke reoccurrence and closure. However, they also indicate a kind of disturbance, perhaps calling the stability of these natural patterns into question.  — Darren Campion</p>
<p>Der Beitrag <a href="https://malenki.net/product/tidal-horizon-matthieu-litt/">Tidal Horizon</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Horsehead Nebula</title>
		<link>https://malenki.net/product/matthieu-litt-horsehead-nebula/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 22 Aug 2015 09:38:30 +0000</pubDate>
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					<description><![CDATA[<p>“While Matthieu Litt’s Horsehead Nebula doesn’t fall prey to the deficiencies of the travel photography genre, he remains gratifyingly aware of them, given his role as a photographer observing a place and a way of life that are, we must assume, far removed from his own. Indeed, how he plays with, resists and occasionally surrenders&#8230; <a class="more-link" href="https://malenki.net/product/matthieu-litt-horsehead-nebula/">Continue reading <span class="screen-reader-text">Horsehead Nebula</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/matthieu-litt-horsehead-nebula/">Horsehead Nebula</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>“While Matthieu Litt’s Horsehead Nebula doesn’t fall prey to the deficiencies of the travel photography genre, he remains gratifyingly aware of them, given his role as a photographer observing a place and a way of life that are, we must assume, far removed from his own. Indeed, how he plays with, resists and occasionally surrenders to the exoticising gaze of the photographer abroad, is one of the keys to understanding this work. (…) Litt’s pictures are light in a way that can at once acknowledge his (and our) role as interloper, without sacrificing any of the often magnetic pull that other cultures – and not just the culture of the Other – continue to have over our imaginations.“ — Darren Campion / <a href="http://paper-journal.com/matthieu-litt-horsehead-nebula/">paper-journal</a></p>
<p>&nbsp;</p>
<p>Der Beitrag <a href="https://malenki.net/product/matthieu-litt-horsehead-nebula/">Horsehead Nebula</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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