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	<title>found food Archive | malenki.net</title>
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	<title>found food Archive | malenki.net</title>
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		<title>DSTR#5</title>
		<link>https://malenki.net/product/dstr5-franziska-klose/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 03 Aug 2024 11:12:55 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=10667</guid>

					<description><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by Franziska Klose. DSTR #5 (Trees and Mushrooms) depicts historic illustrations of trees, woods, forestry and mushrooms combined to unique artist booklets. A zine with alternating page sequence.</p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr5-franziska-klose/">DSTR#5</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by <a href="https://malenki.net/product-category/artists/franziska-klose/">Franziska Klose</a>.</p>
<p>DSTR #5 (Trees and Mushrooms) depicts historic illustrations of trees, woods, forestry and mushrooms combined to unique artist booklets. A zine with alternating page sequence.</p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr5-franziska-klose/">DSTR#5</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>DSTR #4 (Infrared Landscape)</title>
		<link>https://malenki.net/product/dstr-4-franziska-klose/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 03 Aug 2024 10:59:12 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=10665</guid>

					<description><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by Franziska Klose. DSTR #4: Infrared satellite image in 12 parts bound to leaflet. Captured by NASA’s Terra satellite, the image shows the volcanoes Cerro Luxsar, Olca and Parumastrato located&#8230; <a class="more-link" href="https://malenki.net/product/dstr-4-franziska-klose/">Continue reading <span class="screen-reader-text">DSTR #4 (Infrared Landscape)</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr-4-franziska-klose/">DSTR #4 (Infrared Landscape)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>DSTR is a ongoing series of artist books and posters made of found images showing landscapes, shapes and forms of disasters. Self designed and published by <a href="https://malenki.net/product-category/artists/franziska-klose/">Franziska Klose</a>.</p>
<p>DSTR #4: Infrared satellite image in 12 parts bound to leaflet. Captured by NASA’s Terra satellite, the image shows the volcanoes Cerro Luxsar, Olca and Parumastrato located at the Cordillera de los Andes.</p>
<p>Der Beitrag <a href="https://malenki.net/product/dstr-4-franziska-klose/">DSTR #4 (Infrared Landscape)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Errors And Residuals &#8211; set</title>
		<link>https://malenki.net/product/sarah-van-marcke-errors-and-residuals-set/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Fri, 28 Jun 2019 08:18:09 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6425/</guid>

					<description><![CDATA[<p>This set contains the following booklet: <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-view/"><em>a view</em></a>, <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-ritual/"><em>a ritual</em></a>, <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-visit/"><em>a visit</em></a> (all 2018) and <em><a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-nest/">a nest</a> (</em>2019).</p>
<p>With the support of Research-unit Intermedia Luca school of Arts, Brussels and CCHA Hasselt.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-set/">Errors And Residuals &#8211; set</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Errors and Residuals</em> is an ongoing series of small artist publications by Sarah Van Marcke in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organized, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-set/">Errors And Residuals &#8211; set</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<item>
		<title>Errors And Residuals &#8211; a ritual</title>
		<link>https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-ritual/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 28 Oct 2018 08:51:23 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6401/</guid>

					<description><![CDATA[<p>With the support of Research-unit Intermedia Luca school of Arts, Brussels and CCHA Hasselt.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-ritual/">Errors And Residuals &#8211; a ritual</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Errors and residuals</em> is an ongoing series of small artist publications by Sarah Van Marcke in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organized, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence.</p>
<p>In the part titled <em>a ritual</em>, Van Marcke observes how people sometimes use a form of fiction in an attempt to get a grip on a disrupted reality. A fiction that can be expressed in rituals, images, literature, among other forms.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-ritual/">Errors And Residuals &#8211; a ritual</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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			</item>
		<item>
		<title>Errors And Residuals &#8211; a visit</title>
		<link>https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-visit/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 28 Oct 2018 08:47:38 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6390/</guid>

					<description><![CDATA[<p>With the support of Research-unit Intermedia Luca school of Arts, Brussels and CCHA Hasselt.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-visit/">Errors And Residuals &#8211; a visit</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Errors and residuals</em> is an ongoing series of small artist publications by Sarah Van Marcke, in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organized, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence.</p>
<p>In the part titled <em>a visit</em>, we are invited into a meta-reality, a virtual habitat in which the clock has stopped ticking and where the order we create remains absolute – until the next update.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-visit/">Errors And Residuals &#8211; a visit</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<item>
		<title>Errors And Residuals &#8211; a view</title>
		<link>https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-view/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 28 Oct 2018 08:35:16 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=6378/</guid>

					<description><![CDATA[<p>With the support of Research-unit Intermedia  Luca school of Arts, Brussels and CCHA Hasselt.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-view/">Errors And Residuals &#8211; a view</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Errors and residuals</em> is an ongoing series of small artist publications by Sarah Van Marcke in which she explores the archive of Ignace D.K., a man she never knew in life. Ignace died in 2013, a few months before her parents would move into the house in the woods that was his home. In this house Van Marcke discovered Ignace’s universe, perfectly organized, ordered and orchestrated. Everything that was left behind was left for a reason; he made sure that, even after his death, everything would remain as he felt it should be. Van Marcke uses the archive as a means of talking about our urge to exercise control and the strategies we develop to try and protect ourselves from the contingent nature of existence.</p>
<p>In the part titled <em>a view</em>, Van Marcke examines the constituent parts of a legacy, an attempt to preserve and maintain a certain order of things even after our death, and the possible failures lurking in the reality of the future.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sarah-van-marcke-errors-and-residuals-a-view/">Errors And Residuals &#8211; a view</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Refugium &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/refugium-collectors-edition-christian-tiefensee/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 10 Jul 2008 18:02:07 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/editions/refugium-collectors-edition/</guid>

					<description><![CDATA[<p><a href="https://malenki.net/product/refugium-collectors-edition-christian-tiefensee/">No. 1 - 44</a>  of <em>Refugium </em>are issued as a numbered &#38; signed collectors edition including one of 44 different analogue C-prints.</p>
<p>Der Beitrag <a href="https://malenki.net/product/refugium-collectors-edition-christian-tiefensee/">Refugium &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>With <em>Refugium</em> Christian Tiefensee joins the existentialists. In a mix of the artists own and found footage material; Christian Tiefensee illustrates the capitulation of the individual facing its constraints in time, space or spirit.</p>
<p>Der Beitrag <a href="https://malenki.net/product/refugium-collectors-edition-christian-tiefensee/">Refugium &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<item>
		<title>Refugium</title>
		<link>https://malenki.net/product/refugium-christian-tiefensee/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 10 Jul 2008 15:38:19 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2646</guid>

					<description><![CDATA[<p><a href="https://malenki.net/product/refugium-collectors-edition-christian-tiefensee/">No. 1 - 44 of <em>Refugium</em></a> are issued as a numbered &#38; signed collectors edition including one of 44 different analogue C-prints.</p>
<p>Der Beitrag <a href="https://malenki.net/product/refugium-christian-tiefensee/">Refugium</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>With <em>Refugium</em> Christian Tiefensee joins the existentialists. In a mix of the artists own and found footage material; Christian Tiefensee illustrates the capitulation of the individual facing its constraints in time, space or spirit.</p>
<p>Der Beitrag <a href="https://malenki.net/product/refugium-christian-tiefensee/">Refugium</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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