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	<title>Böhm Archive | malenki.net</title>
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	<title>Böhm Archive | malenki.net</title>
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		<title>Böhm #57 – Unreal Estates</title>
		<link>https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Mon, 03 Nov 2025 21:04:05 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=11682</guid>

					<description><![CDATA[<p>Die Böhm is a fanzine published by Katja Stuke &#38; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title. Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture,&#8230; <a class="more-link" href="https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/">Continue reading <span class="screen-reader-text">Böhm #57 – Unreal Estates</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/">Böhm #57 – Unreal Estates</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Die Böhm </em>is a fanzine published by Katja Stuke &amp; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title.</p>
<p>Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture, in particular youth sub-cultures <span class="s1">— </span>Darius Himes, Photobookreview 2012</p>
<p class="p1"><em>Die Böhm</em> is published once or twice a year.</p>
<p class="p1"><span class="s1"><a href="https://malenki.net/product/bohm-55-stuke-sieber/">Böhm #55</a>, Böhm #56 and Böhm #57 are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.</span></p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/">Böhm #57 – Unreal Estates</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Böhm #56 – New Landscapes</title>
		<link>https://malenki.net/product/bohm-56-new-landscapes-stuke-sieber/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Mon, 03 Nov 2025 20:26:45 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=11680</guid>

					<description><![CDATA[<p>Die Böhm is a fanzine published by Katja Stuke &#38; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title. Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular&#8230; <a class="more-link" href="https://malenki.net/product/bohm-56-new-landscapes-stuke-sieber/">Continue reading <span class="screen-reader-text">Böhm #56 – New Landscapes</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-56-new-landscapes-stuke-sieber/">Böhm #56 – New Landscapes</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Die Böhm </em>is a fanzine published by Katja Stuke &amp; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title.</p>
<p>Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture, in particular youth sub-cultures <span class="s1">— </span>Darius Himes, Photobookreview 2012</p>
<p class="p1"><em>Die Böhm</em> is published once or twice a year.</p>
<p class="p1"><span class="s1"><a href="https://malenki.net/product/bohm-55-stuke-sieber/">Böhm #55</a>, Böhm #56 and <a href="https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/">Böhm #57</a> are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.</span></p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-56-new-landscapes-stuke-sieber/">Böhm #56 – New Landscapes</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Böhm #55 – Grand Tourismo</title>
		<link>https://malenki.net/product/bohm-55-stuke-sieber/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Mon, 03 Nov 2025 20:02:31 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=11678</guid>

					<description><![CDATA[<p class="p1">»Die Böhm« is a fanzine published by Katja Stuke &#38; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title.</p>
<p class="p1">Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture, in particular youth sub-cultures <span class="s1">— </span>Darius Himes, Photobookreview 2012</p>
<p class="p1">»Die Böhm« is published once or twice a year.</p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-55-stuke-sieber/">Böhm #55 – Grand Tourismo</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p class="p1"><em>Die Böhm</em> is a fanzine published by Katja Stuke &amp; Oliver Sieber since 1999. Each issue is the juxtaposition of two different bodies of work, one each by Stuke and Sieber, under a single collective title.</p>
<p class="p1">Both photographers are concerned primarily with issues surrounding portraiture, the mediated image, the expressions of self-identity influenced by popular culture, in particular youth sub-cultures <span class="s1">— </span>Darius Himes, Photobookreview 2012</p>
<p class="p1"><em>Die Böhm</em> is published once or twice a year.</p>
<p><span class="s1">Böhm #55, <a href="https://malenki.net/product/bohm-56-new-landscapes-stuke-sieber/">Böhm #56</a> and <a href="https://malenki.net/product/bohm-57-unreal-estates-stuke-sieber/">Böhm #57</a> are created with images taken by Katja Stuke and Oliver Sieber in and around Cervia (Italy) during their residency at Note di Sguardi (Giovanna Sarti) in 2023.</span></p>
<p>Der Beitrag <a href="https://malenki.net/product/bohm-55-stuke-sieber/">Böhm #55 – Grand Tourismo</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Sakae Osugi</title>
		<link>https://malenki.net/product/sakae-osugi-stuke-sieber/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 12 Dec 2024 14:23:34 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=10902</guid>

					<description><![CDATA[<p>Sakae Ōsugi (*1885, †1923) was a Japanese anarchist. He traveled to Europe in 1923 and gave a May Day speech in Saint-Denis. There he was arrested by civilian police. He was sentenced to three weeks in prison and deportation for passport offences. On 2 June he was sent back to Japan where he later was&#8230; <a class="more-link" href="https://malenki.net/product/sakae-osugi-stuke-sieber/">Continue reading <span class="screen-reader-text">Sakae Osugi</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/sakae-osugi-stuke-sieber/">Sakae Osugi</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Sakae Ōsugi (*1885, †1923) was a Japanese anarchist. He traveled to Europe in 1923 and gave a May Day speech in Saint-Denis. There he was arrested by civilian police. He was sentenced to three weeks in prison and deportation for passport offences. On 2 June he was sent back to Japan where he later was murdered in the »Amakasu Incident«. In his book »My escapes from Japan« he mentiones a »workers’ hall« near the Basilica in Saint-Denis. Most likely he refers to the »Bourse du Travail« of Saint-Denis which was located in the Hotel de Ville at that time. In Feb 2023, almost 100 years after Sakae Ōsugi’s experiences in Saint-Denis, <a href="https://malenki.net/product-category/artists/katja-stuke/">Katja Stuke</a> and <a href="https://malenki.net/product-category/artists/oliver-sieber/">Oliver Sieber</a> walked from Hotel de Ville past Passage Saulger, rue des Ursulines and rue Suger until they finally reached Rue Génin, where you find the current Bourse du Travail«. Marie Tesson, the author of the text, constructed an itinerary, taking as her starting point the building where Stuke and Sieber ended their walk: the Bourse du Travail in Saint-Denis. She wanders through this area that is undergoing transformation until reaching the Tour Pleyel, attracted by the melancholy of its already outdated architecture.</p>
<p>Der Beitrag <a href="https://malenki.net/product/sakae-osugi-stuke-sieber/">Sakae Osugi</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Paris, 8 Dec 2018 — La Ville Lumière</title>
		<link>https://malenki.net/product/paris-la-ville-lumiere-stuke-sieber/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 10 Mar 2022 19:49:17 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=9587</guid>

					<description><![CDATA[<p>&#8220;Oliver Sieber and Katja Stuke […] are not permanent fixtures in this society: however, as resident artists at the Cité internationale des arts, they were confronted with the first “acts” of the yellow vest movement. In this sense, they are distanced observers and do not take sides, although they are not indifferent: they observe how&#8230; <a class="more-link" href="https://malenki.net/product/paris-la-ville-lumiere-stuke-sieber/">Continue reading <span class="screen-reader-text">Paris, 8 Dec 2018 — La Ville Lumière</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/paris-la-ville-lumiere-stuke-sieber/">Paris, 8 Dec 2018 — La Ville Lumière</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&#8220;Oliver Sieber and Katja Stuke […] are not permanent fixtures in this society: however, as resident artists at the Cité internationale des arts, they were confronted with the first “acts” of the yellow vest movement. In this sense, they are distanced observers and do not take sides, although they are not indifferent: they observe how the conflict writes itself into the city’s narrative. Their route follows and intersects with that of the actors involved that day, leading them along Rue de Rivoli, past the Louvre to La Madeleine, on to Gare Saint-Lazare, past the Métro Liège to the Galleries Lafayette, along Boulevard Haussmann to Place de la République, and at night back to the Bastille and the Cité des arts. Their perspectives keep shifting between the side of the road and the middle of the street, locating the actors—in the midst of all the activity on the street—in relation to the setting, recording the lesser defilements as well as the greater devastation, individual passersby being checked by plainclothes police officers and the wholesale deployment of the security forces. Their 113 photographs depict nothing more and nothing less than six hours of a day of protest, one act in this social drama, one more dies irae for French society, of which there have been an abundance recently, from the Charlie Hebdo and Bataclan attacks to the general strike and the demonstrations against police brutality. They capture the visible configurations of a social protest, whose political rhetoric remains unclear, and are thus equally eloquent as an account of the social fault lines within society. […]&#8221; — Florian Ebner</p>
<p>Der Beitrag <a href="https://malenki.net/product/paris-la-ville-lumiere-stuke-sieber/">Paris, 8 Dec 2018 — La Ville Lumière</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<title>Supernatural 2021</title>
		<link>https://malenki.net/product/supernatural-katja-stuke/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 10 Mar 2022 19:45:35 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/?post_type=product&#038;p=9586</guid>

					<description><![CDATA[<p>The portraits of athletes were taken during the Olympic Games among others in Sydney (2000), Athens (2004), Beijing (2008) and London (2012) photographed from a television screen. The singular Olympic Games idea, the particular competition situation directly before the decisive sporting performance, the moment of concentration and the question of the identity and development of&#8230; <a class="more-link" href="https://malenki.net/product/supernatural-katja-stuke/">Continue reading <span class="screen-reader-text">Supernatural 2021</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/supernatural-katja-stuke/">Supernatural 2021</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The portraits of athletes were taken during the Olympic Games among others in Sydney (2000), Athens (2004), Beijing (2008) and London (2012) photographed from a television screen. The singular Olympic Games idea, the particular competition situation directly before the decisive sporting performance, the moment of concentration and the question of the identity and development of girls and women plays a key role in this photographic work by Katja Stuke.</p>
<p>Der Beitrag <a href="https://malenki.net/product/supernatural-katja-stuke/">Supernatural 2021</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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