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	<title>associative narration Archive | malenki.net</title>
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	<title>associative narration Archive | malenki.net</title>
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		<title>Beyond Cold War &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sun, 07 Jun 2015 17:03:43 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2650</guid>

					<description><![CDATA[<p>The collectors edition of <em>Beyond Cold War</em> by Robert Schlotter features his regular softcover book in a silkscreen printed and handmade slipcase. Each slipcase is numbered &#38; signed and includes one of 59 varying signed inkjet prints (240 x 200 mm).</p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>Jürgen Kühner on <em>Beyond Cold War</em></p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.”</p>
<p><a href="https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2019/09/02/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter-edition/">Beyond Cold War &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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		<item>
		<title>Beyond Cold War</title>
		<link>https://malenki.net/product/beyond-cold-war-robert-schlotter/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 06 Jun 2015 10:16:31 +0000</pubDate>
				<guid isPermaLink="false">https://malenki.net/product/beyond-cold-war-robert-schlotter/</guid>

					<description><![CDATA[<p>Beyond Cold War is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other. During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed,&#8230; <a class="more-link" href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Continue reading <span class="screen-reader-text">Beyond Cold War</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Beyond Cold War</em> is based on the examination of confrontation areas of the Cold War in Europe. Border regions on which the NATO states and those of the Warsaw Pact stood face to face to each other.<br />
During the Cold War the observers were always observed, too. The feeling of observing and simultaneously being observed, the assumed harassment through the antagonist, the alertness and awaiting (action and reaction) are the central starting points of my work. For both sides there was the question about the world behind the border, because both were stamped by massive cultural and political differences, laboured by analogous propaganda.</p>
<p>&nbsp;</p>
<p>“[…] Schlotter’s photographs only take effect at second glance. It is only through the context that they change from generic landscape photographs to a socio-political analysis with the conclusion that borders can run anywhere and at any time, that no structures are needed to separate countries and people.” &#8211; Jürgen Kühner</p>
<p><a href="https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/" target="_blank" rel="noopener">https://framesandfascination.com/2022/01/22/robert-schlotter-beyond-cold-war/</a></p>
<p>Der Beitrag <a href="https://malenki.net/product/beyond-cold-war-robert-schlotter/">Beyond Cold War</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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			</item>
		<item>
		<title>Raketen</title>
		<link>https://malenki.net/product/raketen-judith-michel/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Sat, 24 Jul 2010 16:12:31 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/?post_type=product&#038;p=2648</guid>

					<description><![CDATA[<p>No. 1-10 of <em>Raketen</em> come as collectors edition with analog c-print <em>Hier 2</em> or <em>Schwimmer</em>, 280 x 200 mm. Each limited to five numbered and signed copies.</p>
<p>Der Beitrag <a href="https://malenki.net/product/raketen-judith-michel/">Raketen</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>In <em>Raketen</em> Judith Michel combines moments of transaction, intersection, and suspense into a fragile associative narration. The single images &#8211; some of them found, some staged &#8211; show the artist&#8217;s view on her ambiance and originated in her private life and during her voyage through Israel.</p>
<p>No. 1-10 of <em>Raketen</em> come as collectors edition with analog c-print <em>Hier 2</em> or <em>Schwimmer</em>, 280 x 200 mm. Each is limited to five numbered and signed copies.</p>
<p>Der Beitrag <a href="https://malenki.net/product/raketen-judith-michel/">Raketen</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Raketen &#8211; Collectors Edition</title>
		<link>https://malenki.net/product/raketen-collectors-edition-judith-michel/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Thu, 10 Jul 2008 18:29:02 +0000</pubDate>
				<guid isPermaLink="false">http://malenki.net/wordpress/editions/raketen-collectors-edition/</guid>

					<description><![CDATA[<p>No. 1-10 of <em>Raketen</em> come as collectors edition with analog c-print 'Hier 2' or 'Schwimmer', 280 x 200 mm. Each limited to five numbered and signed copies.</p>
<p>Der Beitrag <a href="https://malenki.net/product/raketen-collectors-edition-judith-michel/">Raketen &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>In <em>Raketen</em> Judith Michel combines moments of transaction, intersection, and suspense into a fragile associative narration. The single images &#8211; some of them found, some staged &#8211; show the artist&#8217;s view on her ambiance and originated in her private life and during her voyage through Israel.</p>
<p>No. 1-10 of <em>Raketen</em> come as collectors edition with analog c-print &#8216;Hier 2&#8217; or &#8216;Schwimmer&#8217;, 280 x 200 mm. Each limited to five numbered and signed copies.</p>
<p>Der Beitrag <a href="https://malenki.net/product/raketen-collectors-edition-judith-michel/">Raketen &#8211; Collectors Edition</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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