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	<title>Alexandra Jeep Archive | malenki.net</title>
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		<title>BLOW-UP (#MeToo)</title>
		<link>https://malenki.net/product/blow-up-me-too-claudia-christoffel/</link>
		
		<dc:creator><![CDATA[Robert Schlotter]]></dc:creator>
		<pubDate>Wed, 04 Jan 2023 23:12:58 +0000</pubDate>
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					<description><![CDATA[<p>In BLOW-UP (#MeToo), artist and art historian Claudia Christoffel takes a contemporary look at Antonioni&#8217;s much-cited 1967 film. Reproducing the dialogue of the introductory scene between the photographer and the model in the film&#8217;s own font, she addresses the humiliating perspective and degrading language the photographer&#8217;s film character is using within what is actually conceived&#8230; <a class="more-link" href="https://malenki.net/product/blow-up-me-too-claudia-christoffel/">Continue reading <span class="screen-reader-text">BLOW-UP (#MeToo)</span></a></p>
<p>Der Beitrag <a href="https://malenki.net/product/blow-up-me-too-claudia-christoffel/">BLOW-UP (#MeToo)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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										<content:encoded><![CDATA[<p>In <em>BLOW-UP (#MeToo)</em>, artist and art historian Claudia Christoffel takes a contemporary look at Antonioni&#8217;s much-cited 1967 film.<br />
Reproducing the dialogue of the introductory scene between the photographer and the model in the film&#8217;s own font, she addresses the humiliating perspective and degrading language the photographer&#8217;s film character is using within what is actually conceived as a professional working situation.<br />
At least since MeToo, the gender-specific power position of producers and directors in the film and creative industries has been discussed widely.</p>
<p>Der Beitrag <a href="https://malenki.net/product/blow-up-me-too-claudia-christoffel/">BLOW-UP (#MeToo)</a> erschien zuerst auf <a href="https://malenki.net">malenki.net</a>.</p>
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